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Fuseli. Titania and Bottom - Emory University
http://www.english.emory.edu/classes/Shakespeare_Illustrated/Titania&Bottom.html
Henry Fuseli. Titania and Bottom (1786-89) Oil on canvas, 85 x 108 inches. London, Tate Gallery. The image from the Tate Museum will open in a new window; close it to return to this page in Shakespeare Illustrated. The source is A Midsummer Night's Dream, Act IV, scene i. Bottom now wears the ass's head, and Titania says to him,
‘Titania and Bottom’, Henry Fuseli, c.1790 | Tate
https://www.tate.org.uk/art/artworks/fuseli-titania-and-bottom-n01228
In the picture Fuseli illustrates a moment from Act IV scene 1, in which Oberon, in order to punish her for her pride, casts a spell on Queen Titania, as a result of which she falls in love with Bottom, whose head has been transformed into that of an ass. In the play she murmurs lovingly to the object of her affections,
Titania and Bottom - Henry Fuseli — Google Arts & Culture
https://artsandculture.google.com/asset/titania-and-bottom-henry-fuseli/3QFfp3FTlt8xYg
This painting illustrates the scene in A Midsummer Night's Dream in which the Fairy Queen Titania is punished for her pride by her husband Oberon. He …
Henry Fuseli, Titania and Bottom – Smarthistory
https://smarthistory.org/henry-fuseli-titania-and-bottom/
Henry Fuseli, Titania and Bottom by Dr. Steven Zucker and Dr. Beth Harris Fuseli, Titania and Bottom Watch on Henry Fuseli, Titania and Bottom, c. 1790, oil on canvas, 2172 x 2756 mm (Tate Britain, London) Smarthistory images for teaching and learning: More Smarthistory images…
Fuseli, Titania and Bottom (video) | Khan Academy
https://www.khanacademy.org/humanities/becoming-modern/romanticism/romanticism-in-england/v/henry-fuseli-titania-and-bottom-c-1790
Dr. Harris: And of course, the works of Shakespeare perfect for that, plays like A Midsummer Night's Dream, which features the king and queen of the faeries, Oberon and Titania, are perfect for visualizing the …
Fuseli. Bottom - Department of English
http://www.english.emory.edu/classes/Shakespeare_Illustrated/Fairies.html
Kunsthaus, Zurich. The exhibition catalog of the Tate Gallery, Henry Fuseli, entitles this painting Titania Awakes, Surrounded by Attendant Fairies, Clinging Rapturously to Bottom, Still Wearing the Ass's Head; this title is probably erroneous, however, and Tomory is correct when he calls it simply Titania, Bottom and the Fairies.
Henry Fuseli's Titania and Bottom c.1790 – Tate Etc | Tate
https://www.tate.org.uk/tate-etc/issue-41-autumn-2017/details-henry-fuseli-titania-bottom-lynne-vallone
Henry Fuseli, Titania and Bottom (detail) c.1790, oil paint on canvas, 217.2 x 275.6 cm Courtesy Tate Photography Growing up in 1970s America with three brothers close in age, I seemed to play a boy in other people’s imaginations, easily mistaken for …
Titania and Bottom - Wikipedia
https://en.wikipedia.org/wiki/Titania_and_Bottom
Titania and Bottom is an oil painting by the Anglo-Swiss painter Henry Fuseli. It dates to around 1790 and is displayed at Tate Britain in London. It was commissioned for the Boydell Shakespeare Gallery and depicts a scene from A Midsummer Night's Dream by William Shakespeare . Contents 1 Background 2 Subject and composition 3 Provenance 4 See also
Titania and Bottom by Henry Fuseli as art print (#15633)
https://www.meisterdrucke.us/fine-art-prints/Henry-Fuseli/15633/Titania-and-Bottom.html
The Awakening of Titania. Titania and Bottom. Lady Macbeth Seizing the Daggers, exhibited 1812. The Witch and the Mandrake, 18th century (pencil and wc on paper) Titania Awakes, Surrounded by Attendant Fairies, clinging rapturously to Bottom, still wearing the Asss Head, 1793-4. The Three Witches Appearing to Macbeth and Banquo, late 18th century.
Henry Fuseli's "Titania and Bottom" by A or - Prezi
https://prezi.com/vaotxttdv13y/henry-fuselis-titania-and-bottom/
'Titania and Bottom" Showcases the Scene from Shakespear's Midsummer Night's Dream were King of Fairies Oberon punishes his wife Titania by casting a spell on her to fall in love with Nick Bottom whose head had been turned into a donkey. This is a Romantic Painting which has a large variety of fantasy and whimsical elements typical to Romantic art.
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