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F.A.Q.#5: Soundholes and Bracing Patterns – Ervin Somogyi
https://esomogyi.com/f-a-q-5-soundholes-and-bracing-patterns/
As far as the mechanical dynamics go, the soundhole in the Spanish guitar is outside of the main vibrating area of the face; it’s isolated from it by a massive brace that acts like a dam, and the comparatively delicate fan bracing on the other side of it does its work without being affected by exactly where, above that dam, the soundhole is.
FAQ #6: Bracing, Thickness, or Both – Ervin Somogyi
https://esomogyi.com/faq-6-bracing-thickness-or-both/
First, in the traditional approach, if one were to make part of the top thinner, one would indeed want to “compensate” for it by making the bracing a little stiffer. This is assuming that the maker’s goal is to have AN EVEN GRADIENT OF MECHANICAL AND VIBRATIONAL STIFFNESS FROM THE BRIDGE TO THE PERIMETER, IN ALL DIRECTIONS.
ERVIN SOMOGYI 01 | GUITAR MAKER - The Air Pump
https://www.youtube.com/watch?v=cRTRhwDprjY
CustomGuitarVideo.com This is a jewel amongst all the other Gourmet Guitars Videos. Ervin Somogyi took us on a journey into the depths of Custom Acoustic Gui...
The Responsive Guitar – Ervin Somogyi
https://esomogyi.com/the-responsive-guitar/
The Responsive Guitar – Ervin Somogyi The Responsive Guitar These books began as a simple how-to-build-a-guitar project back in 2001. Eight years later it has grown into a two-volume dissertation on the guitar, based in forty years of my hands-on experience and thought. For more on the story of this project, read My Adventures in Book Publishing.
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